Archive for the ‘South London’ Category

Vauxhall, Julie Driscoll, The Angry Brigade and Mr Archer

Saturday, February 16th, 2008

Julie Driscoll in 1968

Years ago my neighbour Fred once said to me ‘Julie Driscoll used to live just down the road you know’, his eyes sort of glazed over and he wistfully sighed ‘Ah, Jools…’. I’d heard of her but I wasn’t entirely sure where or why, but went and bought a couple of her CDs all the same. Fred had done me a favour because Julie Driscoll made some really good music – her most famous track being a cover of Bob Dylan’s Wheels On Fire when she was part of The Brian Augur Trinity which was subsequently used as the theme music for Absolutely Fabulous.

She was one of the faces of the sixties with short cropped hair, bewitching eyes and was described as ‘the coolest of the cool’ and ‘The Face’ by the contemporary music press.

In 1969 she recorded her first solo album called 1969 (it was actually released a couple of years later) and included on the collection was a weird, but in my opinion a rather fantastic track called Vauxhall to Lambeth Bridge – which would be a short walk of about half a mile between two adjacent bridges that span the river Thames.

It’s actually a journey, being rather local, that I’ve made in one form or other hundreds of times. The south bank of the Thames here is known as the Albert Embankment and was built on reclaimed land from the river by Joseph Bazalgette, the man famous in London for being responsible for building London’s sewer system in the mid-19th century, most of which still exists to the present day.

View from Vauxhall Bridge, 2008

If you can get past the bit in the song where Big Ben is winking and smiling at Julie (it was the sixties after all), the song is about an evening walk along the riverside where she meets a man looking into the dark and black water of the Thames searching for something in the impenetrable depths – presumably, I suppose, searching for the meaning of life and not his watch or whatever. I’m not sure if Jools ever wanders down the same bit of river these days, I hope so, because if she does she probably sees me doing the same thing from time to time.

Julie in Vogue with a couple of pet cats, 1968

Vogue 1969

Julie, in the early sixties was working with the Yardbirds fan club when she was encouraged by the band’s then manager, Georgio Gomelsky, to try singing as a career. In 1963 at the age of 16 she released her first single , ‘Take Me By The Hand’ and in two years she was singing with a rhythm and blues group called Steam Packet which included Long John Baldry, Rod Stewart and and Brian Augur – the band was a sort of precursor of the late sixties supergroups. Well, it would have been if all the members weren’t complete unknowns at the time.

Rod, Long John Baldry, Julie and Brian Auger

Steampacket

Eventually, Rod Stewart and Long John Baldry went off to try and be famous, with various degrees of success, and Julie continued singing with organist Brian and his Brian Auger Trinity. In 1968 they had a top five hit with Bob Dylan’s ‘This Wheel’s On Fire’. It remained their and Julie’s biggest hit although they released several fantastic singles including Donovan’s Season Of The Witch.

Streetnoise, the album that features Vauxhall to Albert Bridge.

Julie, is still performing, singing slightly more avant-garde material these days, and is now known as Julie Tippetts married to the jazz musician Keith Tippet who played on Streetnoise – the 1969 album on which Vauxhall To Lambeth Bridge is featured.


This time not with Julie but too good not to put up here. This promo ‘video’ of the Brian Auger Trinity was ridiculously ahead of its time.

Buy Julie Driscoll, Brian Auger & The Trinity stuff here and here

Mind Your Own Music (Keith Tippett and Julie Tippetts website)
www.brianauger.com


The Brigade Is Angry

“The Police computers cannot tell the truth. They just record our `crimes’. The pig murders go unrecorded.
(Communique No. 9, following the bombing of Tintagel House)

The Angry Brigade

A couple of years after Julie sang about wandering along the river between Vauxhall and Lambeth Bridge an urban guerilla group known to the press as The Angry Brigade in May 1971 bombed the police computer at Tintegel House on the Albert Embankment of the Thames. Their ninth communique was released the same day.
The Angry Brigade is the man or woman sitting next to you.
They have guns in their pockets and hatred in their minds.
We are getting closer…
Power to the People.

America had the Weather Men, Italy the Red Brigades, Japan the Red Army Fraction, Germany the Baader-Meinhof gang but here in the UK we had the Angry Brigade. Today though, Britain’s first urban guerilla group have almost been forgotten – even their name seems a sort of pythonesque joke. Yet this disparate group of anarchists managed over about three years to explode 25 bombs between 1968 and 22 May 1971. The targets included senior policemen and politicians, a Territorial Army drill hall but also the less obvious Biba – the fashionable swinging London boutique which the Angry Brigade, rather a head of time, saw as exploiting sweatshop labour.

The Angry Brigade, with better luck than judgement, caused no fatalities, although someone once got slightly hurt, and the damage they caused was pretty minimal. Nonetheless the establishment were panicked due to the lack of evidence they could find on the initially nameless terrorists. Evidence of a sort at last arrived after the first ‘communique’ was issued by the Angries. It followed a bomb at the police commissioner Sir John Waldron’s home in August 1970. It was signed Butch Cassidy and The Sundance Kid.

Communique No. 1

bomb at Gant's Hill

The aftermath of the bomb at the minister's house

The next communique stayed in the wild west and was signed ‘the Wild Bunch’. However on 12 January 1971, Robert Carr, the Tory secretary of state for employment and productivity, was the target and the subsequent communique’s signature was stamped with a children’s John Bull printing kit and read ‘The Angry Brigade’. It was a title grabbed gleefully by the popular press and it became the name the anarchic urban guerilla group were to be forever known.

Tintagel House on the Thames south bank

The bomb at Tintagel house (a Metropolitan Police office block), just down from Vauxhall Bridge and a couple of buildings away from where is now the rather over-the-top MI6 building (officially known just as 85 Vauxhall Cross), was aimed at the police computer – a ‘state of the art’ UK designed ICT 1301 mainframe. As usual the explosion caused minimal damage and even though the computer was size of a house it seemingly could do nothing but add two and two together anyway.

1301 mainframe Computer

The computer in question was completely British and was built jointly by GEC Telephones of Coventry and the British Tabulating Machine company who held all the rights to IBM technology throughout the British commonwealth. However, and with hindsight not exactly sensibly, they decided to give up these rights and build the 1301 in competition with IBM – then the Microsoft (sort of) of the day. The biggest selling point of the ICT 1301 was that it could add and subtract pounds shillings and pence, and to be able to multiply sterling amounts by decimal numbers.

The computer was about 20 ft wide and 22 ft long, weighed five tons, and had an internal memory of about 72 kilobytes (a Word document a few pages long). Each of the Ampex 1″ tape units in the background on the right could store about 9 megabytes of memory (about a couple of mp3s).

A few months after the Tintagel House bombing the police raided a house in Stoke Newington finding various explosives, ammunition and guns but most damning of all a John Bull printing kit. Gradually eight supposed members of The Angry Brigade were arrested, subsequently becoming known, rather imaginatively by the press, as the ‘Stoke Newington Eight’.

The Angry Brigade’s campaign came to a definite end after the longest criminal trial in English history (it lasted from May 30 to December 6 1972) was concluded with John Barker, Jim Greenfield, Hilary Creek and Anna Mendleson each receiving prison sentences of ten years. Other defendants, however, were found not guilty including Stuart Christie, who had formerly been imprisoned in Spain for carrying explosives with the intent to assassinate the dictator Franco, and Angela Mason, who went on to become the director of Stonewall and the Government’s Women and Equality Unit and who was awarded an OBE in 1999.

London' s finest at Tintagel House on the Albert Embankment in 1971

Cold, Unloving, Rubber-Insulated Sex

Jeffrey atop of his penthouse apartment on the Albert Embankment

Next door to Tintagel House is a rather nondescript sixties tower block called Peninsula Heights but formerly known as Alembic House. Jeffrey Archer owns the penthouse at the top of the building and it was here that he held his infamous shepherd’s pie and Krug parties. The apartment was formerly owned by Bernie Eccleston, the Formula One baron and before that John Barry the James Bond theme composer and a host of other fantastic pieces of music.

Apparently Peter Stringfellow has the flat downstairs. It was also the groovy sixties location when the plans were organised for the Italian Job and it also featured in Sweeney! – the feature film version of the famous television series.

Interior of Jeffrey's penthouse suite

The journalist Deborah Orr visited Archer’s apartment just before his trial in 2001 and described it as having “no bookshelves in the living room, as all the available wall space is given over to Lord Archer’s much written about collection of art. This was dismissed airily by one of his acquaintances as ‘All the right names, all the wrong pieces’…But there are bookshelves upstairs, which at a glimpse can be seen to hold books not spine out but front out. The books, from this limited perspective, all seem to be Jeffrey Archer hardbacks.

Most disconcerting… is the preponderance of heavy, gilded, Empire furniture around the place. The general effect is that Frasier has been forced to sub-let to a minor but wealthy admirer of the Third Reich.”

Monica Coghlan


I’ve only been in the public gallery of a court case once in my life, but in 1987 I visited the High Court in the Strand, and actually watched the judge summing up the libel trial Archer v Express Newspapers in Court 13. It was the case where Jeffrey Archer had taken The Star to court after the newspaper had alleged that Jeffrey Archer had had sex with the prostitute Monica Coghlan.
I can still remember the intake of breath from people in the public gallery at the description the judge (Mr Justice Caulfield) gave of Mrs Archer in his jury instructions:
Remember Mary Archer in the witness-box. Your vision of her probably will never disappear. Has she elegance? Has she fragrance? Would she have, without the strain of this trial, radiance?
The judge went on to say of Jeffrey Archer, “Is he in need of cold, unloving, rubber-insulated sex in a seedy hotel room..?” It looks like he was in need of exactly that because, ironically, it is now known that Jeffrey and and Mary Archer were then living largely separate lives.
Unfortunately I wasn’t in the court room when the tiny Monica Coghlan, who at a mere 4 feet 11 inches could hardly see over the witness box, when she pointed out Archer as the man who ten months earlier had paid her £70 for sex.
I had no difficulty seeing his face. I was lying on top of him the whole time. He commented on how lovely I was. He was quite surprised by my nipples. It was over very quickly – about 10 minutes, what with getting undressed and the actual sex. Because it was over so quickly, I suggested that he relax for a while and he could try again. I lit a cigarette and I laid down on the bed with him. I asked him what he did for a living. He said, ‘I sell cars,’ and he had no sooner said that than he jumped off the bed and said he should go and move his car.
Extraordinarily, considering there was a tape of Archer offering Monica Coghlan £2000 to leave the country played in court (incidentally I have heard this tape and Coghlan sounded like a confused, frightened rabbit and the Archer and Coghlan certainly didn’t sound like strangers), Jeffrey Archer won the case and was awarded, what was then, a record £500,000 damages. He said he would give this to charity but of course there is no record that this actually happened.

Jeffrey and Mary outside court

On 19 July 2001 Archer’s former friend Ted Francis told the News Of The World that he supplied a false alibi for Archer at the time of the 1987 trial and Archer was subsequently tried and found guilty of perjury and perverting the course of justice. To the sound of cheering throughout the land he was sentenced to four years in jail.

Monica Coghlan died a week before her 50th birthday when she was involved in a bizarre hit and run accident by a man who had just robbed a nearby pharmacy. Before she died she told the press:

Jeffrey Archer took everything away from me, I lost my home, my dignity, my self-respect and any hope of the future. While I was scrimping and scraping, he was clawing his way back to power and lording it up in his manor house. It just wasn’t fair, simple as that.” She also added “I have never denied what I was. I was a prostitute.

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Elephant And Castle, Teddy Boys and Tommy Steele

Saturday, October 20th, 2007

‘The Elephant was not exactly a classy district.’


The Elephant was not exactly a classy district. The streets were as rough and dangerous as it was possible to get without anybody actually declaring war, and even the cinema was not without its perils. (Michael Caine)

The Trocadero Theatre at Elephant And Castle was built in 1930 and had 3400 seats but by the 1950s the theatre was renowned for its critical and violent local Teddy Boy audience who threw coins at Cliff Richard and jeered Bobby Darin but idolised Duane Eddy. When the film Rock Around The Clock played there, the Teds famously slashed the seats, rioted in the aisles and two policemen were seriously injured when the ‘juvenile deliquents’ let off steam after watching the film. The incidents made headline news. They also loved Buddy Holly who actually made his UK debut at the cinema and concert hall (strangely with Des O’Connor as the compere) in March 1958.
Elephant And Castle, like a lot of South London, had been heavily bombed in the Second World War (most of the damage occurring over just two nights in 1941) and for over a decade the streets, where once music halls, brothels, pubs and tightly-packed terraced houses had stood, now lay desolate and dilapidated. From this grim and desperate south London district a new phenomenon grew, The Teddy Boys – Britain’s first youth cult. Their style was derived from Savile Row tailors who had revived the Edwardian look after the war, ironically for upper-class ex-army officers wanting a dandyish look, however the fashion was quickly taken up by teenagers in and around Elephant And Castle in the early fifties and the name given to the followers of the fashion movement soon got corrupted to ‘Ted’ or ‘Teddy Boy’. They wore long drape jackets, usually with a velvet trim collar and pocket flaps, high-waisted drainpipe trousers, chunky brogues and later large crepe-soled shoes (known as brothel creepers), white shirts and narrow ‘Slim Jim’ ties. These clothes were mostly tailor-made at great expense and paid for through many weekly installments. The Teddy Girls meanwhile also wore drape jackets but with hobble skirts (these are narrow at the hem and thus ‘hobble’ the wearer) or toreador pants, cameo brooches, and espadrilles. It was possibly the first example of a sartorial protest against authority and post-war austerity and, realistically, the beginning of the British teenager.

PHOTOS REMOVED BY REQUEST FROM THE COPYRIGHT OWNER

small versions of the Ken Russell pictures here

Truly excellent photos of Teddy girls and boys from the mid-fifties by the director Ken Russell

The self-styled ‘King of the Teds’ in the late fifties was Eddie Richardson, brother of the future South London gang leader Charlie Richardson. The Richardsons were soon to become infamous for their rivalry with the East London Kray Twins but also for their sadistic methods of torture they dealt out to their enemies. These included being nailed to the floor, teeth being pulled out by pliers (the speciality of their fellow gang member ‘Mad’ Frankie Fraser) and being electrocuted to unconsciousness. However the Richardsons were just part of the local tradition and there had been a history of violence in this part of South London for centuries – even the word ‘hooligan’ (according to the Oxford English Dictionary) comes from ‘a 19th century Irish family in south-east London conspicuous for its ruffianism’. The original Hooligan was apparently a Limerick-born Patrick Hooligan (originally Houlihan) and his family who specialised in street violence in the mid Victorian era. By the beginning of the 20th century Elephant And Castle and its surrounding area was perhaps the most lawless part of the capital. The main gang of criminals, led by Charles ‘Wag’ McDonald, were the so-called Elephant Boys. However while the men were heavily involved in protection rackets and organised violence, the local women were experts at shoplifting. A woman known as Aggy Hill, known as the ‘Queen of the Forty Elephants’, and her associates (presumably some of the Elephants, but did anyone call them that to their faces?) would descend on the West End in chauffeured-driven cars and fleece the shops while their cars waited outside. Of course there were no double yellow lines, officious traffic wardens and parking meters to disrupt the stealing.
The Teds pre-dated American rock and roll but they grew to love the rebellious aspect of this new musical fashion, and this part of South London in one way or another produced many of the British stars that were coming to prominence at the time, basically copying their US conterparts. Terry Dene was born above a sweet-shop in Lancaster Road (a street long since bulldozed and demolished) in Elephant And Castle in 1938. He started playing at the famous Two I’s coffee bar where the influential producer Jack Good spotted him and signed him for popular music television show Six Five Special. His first release was A White Sports Coat which was an instant hit but he found the looming stardom, which seemed to his for the taking, hard to cope with and he was arrested for being drunk and disorderly and the popular press attacked him – the establishment at the time blamed ‘evil’ rock and roll music for seemingly all of society’s ills. It led to a nervous breakdown and his mental health only deteriorated when he started National Service and because of this he was soon discharged after only two months. This time the headlines were even worse as the press presumed he was just trying to avoid conscription. His career was now in ruins, and although he appeared in a film ‘The Golden Disc’ and joined the talent-spotter Larry Parnes’ stable of stars, he was unable to recapture the momentum and faded from the music scene. There were several unsuccessful comebacks and in 1974 he released a book and album entitled ‘I Thought Terry Dene Was Dead’, unfortunately it didn’t really make any difference and the majority of people presumably thought he still was.
Just ten minutes walk away from ‘The Elephant’ on the Waterloo Road was a cafe called The Cave (so-called because it was under some railway arches). Three young musicians played there in a skiffle group called The Cavemen and named after the cafe. They were Lionel Bart, local boy Tommy Hicks and Mike Pratt. They’d all met at a party at a sort of pre-hippie Beatnik commune called The Yellow Door next to The Cave and over six or seven months they played at coffee shops and cafes around town for up to ten shillings a night. They slowly started finding an audience especially at the Two I’s cafe in Soho where they was spotted by the impresario Larry Parnes who re-christened Hicks ‘Tommy Steele’. Decca Records signed Steele in 1956 and in October the trio recorded ‘Rock With The Caveman’ with the help of some British jazz notables including saxman Ronnie Scott. It became the now solo Steele’s first UK hit. A year later the song ‘Handful Of Songs’ which came from the film soundtrack of ‘The Tommy Steele Story’ (released in 1957 and incredibly made in three weeks) and written by Bart, Hicks and Pratt went on to win a Ivor Novello award for the best song.



Pictures from Picture Post in 1957 – he was still living at Frean Street in Bermondsey.
Tommy Steele soon became a huge success albeit more as an all round family entertainer than a rock and roll star. Lionel Bart went on to write Living Doll – the massive Cliff Richard hit and of course was the writer of the hugely successful musical Oliver! – incidentally Bart couldn’t read or write a note of music and he could barely plonk out a tune with one finger on a piano – so he wrote all his famous songs by humming his tunes into a tape recorder. Mike Pratt, before dying of lung cancer in 1976, eventually went on to strangle Roger Moore in The Saint, gave Patrick McGoohan a severe beating in Danger Man and was the villainous Simey in The Adventures of Black Beauty, but his famous role was when he played Jeff Randall in the fantastic sixties series Randall And Hopkirk (Deceased).
The Trocadero was demolished in 1963 as part of the huge sixties rebuilding of Elephant And Castle. During the previous decade there had been calls to regenerate the violent and filthy district, and in September 1959 ambitious plans to redevelop the area with a shopping centre and housing estates were released by Sir Isaac Hayward the leader of the London County Council. He said ‘With its famous name and history of traditions the new Elephant and Castle offers opportunities one would have to go a long way to better. Here’s a real chance for the South to ‘show them how’ on the north side of the Thames’.
Well the chance certainly wasn’t taken. The new dystopian Elephant And Castle made south London even more of a joke and a seeming irrelevance to north Londoners and the planners managed to finish off what the German bombs had started. They decided to make the Elephant into one enormous gyratory system surrounded by massive, brutal, featureless and ugly concrete estates where the car was king and pedestrians banished to dirty, leaky and poorly lit walkways that became just a labyrinth of fear and crime.
Part of the regeneration, however, included Erno Goldfinger’s Odeon which opened in December 1966 on the site of the old Trocadero. It featured a famous ‘floating screen’ which had no masking at the top and bottom and had two black panels which rotated around from the back of the screen if the aspect ratio needed changing. The Odeon, itself, was shockingly demolished in 1988 for nothing more than a car park.
Buy Tommy Steele stuff here and Terry Dene stuff here
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